Tag: a.i.Art
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0903: The Liturgy
Liturgy for the Weaving City(for Lyon, 1834, where silk and blood ran together) I. The DeclarationThis is not riot.This is declaration. Men, women, children —children thin as breath,tear-streaked, sharp-elbowed,forcing through the crowdfor one lungful of air,one moment of being countedamong the living. They carry no weapons.They carry themselves: hollow cheeks,empty hands,that terrible refusalto die quietly.…
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The Old Woman With No Cat
The Cat Establishes Dominance (Or: A Hostile Takeover) The dog arrives with a wag and a woof,all floppy ears and hopeful eyes,unaware it has just walked intoa carefully fortified sovereign nation. The cat watches from the mantelpiece,tail slow and deliberate,like a general surveying a battlefieldbefore the first shot is fired. “So,” he murmurs to the…
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4003: The Weight of Iron
The Weight of Iron They hang now in museum lights,mute ribs of a vanished beast:plough and pitchfork,sickle with its patient crescent moutha wooden beam bowed like a tired shoulder. But once—they were thunder. A man rose before the sunwhen winter still stitched fields in silver thread.His breath smoked like a small engine of faith.He wrapped…
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0203: The Looms Liturgy
Liturgy for the Looms That Never Stop(Lyon, 1834, where silk costs more than children) I. The Sound That Never EndsIt begins before dawn and continues after.The clack clack clack of wooden shuttlesthrowing thread, catching thread,weaving fabric that will never warmthe hands that made it. All day. All night. Every day.The looms do not rest.They cannot…
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Vivaldi’s Winter — L’Inverno (1st Movement) #8
8 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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The Old Woman With No Cat
The Cat Questions the Daffodil (A Floral Inquiry) The cat sits in the morning sun,one paw delicately touching a yellow petalas if it might bite back. “Daffodils,” he enunciates,slowly,testing the word like a suspicious piece of chicken, “Who decided?Who looked at this…yellow trumpet on a twig and thought,‘Yes. Daffodil. Good name.’ Certainly not a cat.A…
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Vivaldi’s Winter — L’Inverno (1st Movement) #7
7 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #6
6 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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2602: MicroDosing 100 µg
In the forest’s throatthe oldest voice is root-deep.Slow.Patiently churning. It speaks in a languageof decayand renewal.Unhurriedand whispering —what we never thought to hear. Its green voice, thinand light, softlysusurrusleaf against leaf,tiny tonguesdebatingthe wind’s direction. It quickens —a shrew’s panicked prayer,a beetle’s silent counting,an owl’s velveteen questionsthat need no answer. And holding it all,a voice that…
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Vivaldi’s Winter — L’Inverno (1st Movement) #5
5 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
It's Still Life 