Tag: ekphrastic poetry
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0407: Journal of SenHai
Nature Never Apologises Senryuthe quiet hillsidesomeone had to say somethingin brilliant red Haikubefore the rain comesthe hillside lights its lanterns …scarlet aloe Written for Susi’s SenHai Saturday . Image from Unsplash. Poetry and prose ©Misky 2006-2026.
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Vivaldi’s Winter — L’Inverno (1st Movement) #8
8 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #7
7 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #6
6 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #5
5 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #4
4 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #3
3 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #2
2 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #1
1 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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9 August: An AI Ekphrastic Poem
An Ekphrastic Poem That Wants to be Eden the scene was set with veiled scent of orangeand soul of roses bird song pricked primal sharp trees draped by Midas-touch broody birds, some egg-sat some wishing to be sky-flung like angels in the air and they sing and stutter talk to wind, to leaves by chance…
It's Still Life 