0206: Brigid’s Diary – A Six

ai impression of van gogh's yellow house

Part 12.1, Brigid’s Diary: Arles, France, Spring 1836

The Yellow House and the Thin Law

We took rooms at 2 Place Lamartine in a yellow house that looked like warmth from a distance, and up close smelled of damp plaster, fried onions, and bodies worked too hard for too little.

Around us, the neighbourhood spoke in Italian and Provençal, and the careful French of people who had learned that vowels could be used against them — hunger makes accents loud, even when you whisper.

Soon they came to our door for cures and stitches when the doctor refused them, saying ‘We only care for our own’ — and I watched shame turn practical, the way it always does when children are coughing and coins are few.

Felreil found work at the dock and came home with rope-burned hands and a new knowledge: the police are local, and peace is maintained the way a lid holds a pot — by pressing hardest where the steam is weakest.

That evening he laid a thin copied pamphlet on the table like contraband and said the question inside it was touchpaper — Qu’est-ce que la propriété? What is Property* by Pierre-Joseph Proudhon — and that France would answer it soon enough, not with ink but with marching feet.

We sat out in the Provençal air until the sky filled with stars sharp as nails, and I said, “A starry, starry night,” because beauty is sometimes the last thing left that belongs to us — and if this diary is found, know that we made a home here for a little while.


Previous Instalments – To access all of the instalments on one page, please use this link. Written for Denise’s Six Sentence Story, including the prompt word ‘table’. Images created with Midjourney; all writing is my own original work.©Misky 2006-2026.

*Pierre-Joseph Proudhon’s premise was that a landlord doesn’t make the land more valuable by owning it; workers and the surrounding community do, and therefore the profit that the landlord extracts is theft. In the eyes of the government, this was anarchy.

23 responses to “0206: Brigid’s Diary – A Six”

  1. The architecture of this piece is perfection. I absolutely love what you have done here.

    Liked by 1 person

    1. Thank you so much! ☺️

      Liked by 1 person

  2. A rhetorical question, one I am asked often, is Where did this ( enter ink, sculpture, piece of music) come from?

    Research always helps. But that alone will produce a ” clinical odor “, doesn’t it?
    There is an added element so fundamental and yet evading absolute definition.
    How does one connect so deeply in the moments, as the ones you are writing?
    Imagination. Yes.
    Personal experiences? Aye.
    Acute observation. Sure.
    Empathy. Definitely.

    And yet… I suspect something more is in the works behind the scenes.
    Like remnants of our baptism in a universally shared primordial river.

    Whatever fuels your ink, Marilyn, keep allowing it to do so.

    Liked by 2 people

    1. I think the closest answer I can give to your question is that my writing isn’t fuelled by creativity so much as by truth. 

      Not factual truth, but the kind that sits underneath experience. 

      Brigid’s history, for example, is not my history, yet much of what shaped her comes from places I’ve lived, things I’ve witnessed, fears I’ve known, and questions I’ve carried. I know what it is to be an immigrant, to be an outsider, to watch a crowd change mood, to hear an accent become a judgement, to see religion become more than faith. The details may be fiction, but the emotional truth is not.

      Perhaps that’s why research alone is never enough. Research can tell us what happened. It cannot tell us what it felt like. It’s like when I look at one of your paintings — I recognise a feeling.

      And I suspect that’s the ‘river’ you’re talking about.

      The more I write, the more I think art is less about creating something new than recognising something ancient and shared, and then giving it a voice. A poem, a painting, a sculpture, a piece of music — they’re all attempts to point toward the same thing.

      Not truth as possession, but truth as recognition.

      When I read a poem or stand before a painting and say, “Yes. I know that feeling,” then for a moment we’ve both touched the same river because that core truth belongs to everyone. 

      Liked by 2 people

  3. When unfairness builds community, there’ll be strength in numbers to balance, but why not let the lid rattle just a little bit? Even the kitchen pressure cooker gets this.

    This is why, in the end, we can’t have nice things for very long. Loved this, btw.

    Liked by 1 person

    1. Then as now, you simply don’t mess with French police, but you’ll be happy to know that this period of time in France had lids rattling everywhere.

      Glad you enjoyed this one, Liz.

      Liked by 1 person

  4. While reading Brigid’s diary it’s easy to forget this is a work of fiction, so well woven with history, nuance and emotion. Enjoying the series, Misky.   

    Liked by 1 person

    1. Thank you so much, Denise!

      Liked by 1 person

  5. what they (above) said…

    nicely told (shaped/fashioned/sculpted) story as has been established, identification (with a plot, a story, a person) is the magic that binds the words of good Six

    Liked by 2 people

    1. Thank you, Clark, I’m glad to know that yo enjoyed reading it.

      Like

  6. My heart has always ached for the working poor, trying so hard, never getting ahead. Just like us.

    Liked by 1 person

    1. Inequality should be a heartache for everyone, not just for those people coping with it. There’s no sign of that happening soon though.

      Like

  7. The story doesn’t feel like fiction at all and reading at the comments I can see why. The human emotions and the way they are told feels very honest and real.

    Absolutely love the way you write.

    Great six yet again!

    Liked by 1 person

    1. Such a lovely comment to read with my morning coffee — thank you, Reelika.

      Liked by 1 person

      1. you are more than welcome, the lovely comment is well deserved.

        Liked by 1 person

  8. Another excellent episode, while my mind has been busy about things I had forgotten… like ‘What is Property’ or ‘Property is Theft’.

    Liked by 1 person

    1. Thank you, Chris.

      Property is Theft: an early concept of ‘profit sharing’ and the anarchist in me still thinks it’s a valid position.

      Liked by 1 person

  9. Nice description of how peace is kept “by pressing hardest where the steam is weakest”.

    Liked by 1 person

    1. Thank you, Frank.

      Liked by 1 person

  10. loved how you captured the sense of a small village and the people who live within… and all that goes on in a daily life… the smells, the sights, the work, the lack of, and the camaraderie that appears in times of need and care…

    Liked by 1 person

    1. Thank you so much, ms pie!

      Liked by 1 person

  11. […] Denise’s Six Sentence Story prompts and the Liturgy that I write for it. Brigid and Felreil are in Aries, France, this week and […]

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Your comments are always welcome