Vivaldi’s Winter — L’Inverno (1st Movement) #1

white winter scene

1 Vivaldi’s Winter — L’Inverno (1st Movement)

Prologue for the Deaf Listener:
This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.


1 Storm Music

The violin pulls its creak
across the pond’s black ice,
splintering
under a thousand unseen pressures.

Rock and shudder:
the hearth-stones moan
as the storm shoulders the house.

This music is not a melody.
It is a chase.
A staccato of sleet on frozen ground.
The stumbled step of someone
seeking a door.

But their breath
is no longer there.

And then …
the fury of being alive
in a world
that wants to preserve you in frost.

It stills your blood in its channels,
its furious, fighting answer:
your heart’s relentless
pounding percussion
against your ribs’ icy bars.

Listen, and feel it.

Winter’s tongue in your marrow.
Its frozen gasp,
the crack of consonants,
the frenzy of wind
against flesh.

This is the song of survival,
played from inside the storm.


Imagery and poems/prose ©Misky 2006-2026.

8 responses to “Vivaldi’s Winter — L’Inverno (1st Movement) #1”

  1. ( I am not going to gather my thoughts in an orderly fashion, so here they are…)

    What a beautiful, amazing concept! This is beyond impressive, Marilyn; brava!! 👏👏👏

    You know how deep my connection is to music.
    To see your poetry capturing the essence behind each movement’s beating heart is amazing.

    I am just recalling that Friedrich has ( or still in progress) a series of paintings that attempt the very same goal.
    What a collaboration that would be!!

    Liked by 2 people

    1. I am so delighted to read your comment. This concept first came to me when I was writing the Csárdás series. How the loss of one sense accentuates the remaining others, and how gradual hearing loss must be such a torture — particularly to a musician or lover of music. It is the slow separation from oneself. This series will follow a different path than Csárdás; rather than the instrument taking the role of speech, a person will become Winter’s toy … to the tune Winter chooses. 

      I do have some decisions to make about it though: frequency of posting.

      Liked by 1 person

  2. Beautifully done… your poem and the two guys playing so well.

    Liked by 1 person

    1. Thank you so much! They are amazing, I agree.

      Liked by 1 person

  3. What a totally unique idea! This was wonderful!

    Liked by 1 person

    1. Thank you, Violet!

      Liked by 1 person

  4. I never thought I’d hear an accordion sound so well at playing that song! The poetry you share here is magical, as is your usual. 💜💙💜

    Liked by 1 person

    1. Thank you so much! Amazing choice of instruments, in my opinion, that changed the whole feel of this music.

      Liked by 1 person

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