Tag: Poetry
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The Old Woman With No Cat

The Old Woman and the Haunted Slow Cooker The slow cooker hums monkish chants at midnight—a low, greasy dirgethat smells of Wednesdaysand possibly the 1520s. The old woman pries it open:inside, a stew that definitely contains: Wormhole carrotsA whisper of “buy more sardines”One pearl button (from a shirt she never owned) The cat, not hers…
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Day 15 NovPAD Challenge

The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of a Monster (long form) It did not hate the trees,that held a thousand years of dawn.They…
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Day 14 NovPAD Challenge

The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. A lament for the children of Gaza, a sorrow spoken in the oldest rhythms I know. The Architecture of…
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Day 14 NovPAD Challenge

The Architecture of a Moment A poem written in witness to the children of Gaza; not to explain, but to honour the question of who they were before the world forgot their names. The Architecture of Who Who is this child—a clinical acronymfor a soul lost in dust? Who watchesthrough a veil of tears,whose stomach…
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14.11: Vantablack – The Liturgy

The Architecture of Vertically Aligned Carbon NanotubesA Liturgy for Vantablack — The Colour That Is Not a Colour I. Of AbsenceThis is not a colour, but a hunger—a surface so deep even light forgets itself. Its texture is velvet without body,warmth without heat,the shade where memory waitsbefore being born again. II. Of PerceptionTo look upon…
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Day 13 NovPAD Challenge

The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of Persuasion (Free Verse) “The tree’s too big,” he said.“It blocks the sun,it cracks the stones,and every…
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Day 12 NovPAD Challenge

The Architecture of a Moment The Architecture of Vertically Aligned Carbon Nanotubes I. Vantablack They say it’s a colour,but they are wrong.It’s a hunger so absoluteit drinks the light — the velvet throatin the fabric of things. It’s not the black of night,or ink,or space;those are merely dark.This is Physics. A star could weepits fiery…
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12.11: dVerse Prosery

The Coming I stirred the embers with a bone-handled spoon, watching the light ebb from the fields. The year was thinning; even the crows sounded hollow. Yet I smiled, for then and not yesterday, I learned to know the love of bare November days before the coming of the snow. It was a respect without…
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Day 11 NovPAD Challenge

The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of Formlessness Sunlight through lace,dust turns to stars;cold air kissesbare toes awake. The day beginsto breathe. Written…
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Day 10 NovPAD Challenge

The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of Advice When the world grinds grey, granular, and the weight in your chestturns to gravity, be…