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20 May: Stream of Consciousness

A Stream of Consciousness on a Tuesday Afternoon Rain arrived exactly on cue today,like a polite actor entering stage left at the BBC’s command —three o’clock,said the weatherman,and at three o’clock the sky obliged for precisely five minutes,just enough to silver the windows,just enough to make the world smell briefly of wet pavement and leaves,just…
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19 May: dVerse Ekphrastics

Bride with a Fan She is made of hush —blue air, white petals,a face turned inwardas though listeningfor the vow before it is spoken. The veil does not hide her;it teaches light to soften.Even her silence seems paintedwith a tremor of winter sky. In her hand, the fan openslike a small, private weather,something between a…
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19 May: Six Sentence Story

An Undated Note Inserted in Brigid’s Diary Part 11.1, Avignon If this diary is ever found, know first that we did not leave England lightly; we gave it our backs, our hands, our winters, and still it asked for more …more hunger, more silence, more gratitude for wages that would not keep bread before a…
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19 May: dVerse Dogs

Her Heart She will alwaysbe my last— last dog,last thought. Blind and deaf,I held herwhen the stroke came, felt her heartagainst the pulseinside my arms. She lefther shadowin my heart. Her namewas Molly. Written for dVerse Poets, Quadrille of 44-words about a dog. Some images created with Midjourney; all writing is authentically my own original work.©Misky 2006-2026.
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18 May: The Liturgy

Liturgy for the Burning of Iron(Sussex, 1838—where the poor refused to starve in silence) I. The Ledger of HungerEngland asked for more.Not more work —the labourers gave that already,their backs bent to the sickle,their hands calloused by the scythe,their winters surrenderedto a season that never paid its debts. England called for silence.For gratitude.For wages that…
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The Old Woman With No Cat

The Cat’s Vertical Oppression(Or: Why the Good Stuff Is Always on the Top Shelf) The cat stands before the pantry,face like grievance,gazing up at the top shelfwhere the good sardinesgleam like a golden fleece. “Explain,” he says,“why the best fishare alwaysout of reach. Not impossible.Not mythical.Simply…up there. This is not accident.This is architecture.Oppression.” The Old…
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16 May: Journal of SenHai

Senryuhe stares down at melike someone deciding whetherI am worth the fuss Haikumorning pelicansea-light rests along his beakthe sky stands upright Written for Susi’s SenHai Saturday #52. Photo by Rod Long on Unsplash. ©Misky 2006-2026.
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Ten Things of Thankful

There are workmen on scaffolding next door, fitting replacement windows. They’ve been at it all week. One morning, I asked to borrow their van so I could go to the shops — it was blocking my driveway. They’ve parked elsewhere since. I am thankful. 1. Thankful for workmen who appreciate passive-aggressive humour, and decide it’s…
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16 May: dVerse Lists

A List Poem in Two Minutes columbine,iris, yellow,blue, the birdbaththe same colour. the pots are too. thistles,foxgloves, a cuckoosinging a kettle’s song. hammer,nails, a ladder long, scaffold rails, and the dayrolls on. Written for Björn’s dVerse Poets prompt to create a list poem. Some images created with Midjourney; all writing is authentically my own original…
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15 May: Journal of SenHai

Mist Water and Wood Senryuhalfway to somewherethe stairs decide to lingerwith the quiet tide Haikumonochrome waterempty steps descend through mistsilence holds the rail Written for SenHai Saturday #51. I am playing catch-up as I was away when the image prompt was posted. Violet’s post reminded me that I’d forgotten this one. Not all images are…