Category: Soundtracks
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Csárdás Part 3
Csárdás (as body-memory) The first stroke of the bowis not music;it is touch.A slow drag,a finger tracing the spineof the room. The sound is dark,sultry with sorrow,the colour of bruised wineand old heat. People close their eyes.Some wounds open.Some hips stir. Then the rhythm snaps!God, it snaps,and the body answersbefore the mind can. Heels strike…
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1501: His Weather
His Weather I know a small boy made of bottled thunder.His fingers hook into claws;his body drops to a low animal growl,a sound dragged up from somewhere older than words. His mother says her boy frightens her sometimes,that in those momentslove feels like a thing with edges. I watch his hands braid themselves into fists.When…
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0801: Tideglass
Tideglass She walks where the sea leaves its broken things,soft glassand sorrow in tangled strings. A letter floats in a rock pool’s sleep.Its ink runs cold,its silence deep. “My heart’s no sum that sense can hold,but it forecasts storms, and it’s turning cold.” She reads,then folds it like a prayer,and leaves it cradledgently there. Written…
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3.12 dVerse Zero
From a Silent, Fertile Womb From zero,the world blooms. Not from two,but from that void’s deep hum, the unmade promise,the breath before Yes. We are all bornof this silent, round womb, this nothing that dreamtof being something,and spun itself into you and me. And now for something completely different: Written for dVerse Poets: Quadrille – word…
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Day 30 NovPAD Challenge
The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of Next Forget the gentle transition,the slow cross-fade into the next scene. This is the guillotine bladestalled…
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Day 29 NovPAD Challenge
The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. This is experimental. The Architecture of What a Cello Remembers (long version) I remember handsbefore I remember sound. Fingers…
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Day 28 NovPAD Challenge
The Architecture of a Moment I. Written for Ink In Thirds The Meal The table is set for the living and the goneEmpty chairs hold their stories, their namesA sun that never truly leaves the table’s light II. For November’s Poem-a-Day Challenge The Architecture of What Is I have an acute and well-earnedunderstanding of loss.I know,…
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Day 27 NovPAD Challenge
The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of Sēlic (long form) They had a word for it: sēlic.Even when wind was a wolf,even when…
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Day 26 NovPAD Challenge
The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of Meandering in 3 Parts This path is a slow green thought,unfolding from my kitchen windowto The…
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Day 25 NovPAD Challenge
The Architecture of a Moment Notes: Rooted in the oldest English tradition, Anglo-Saxon accentual verse follows the rhythm of breath and heartbeat rather than syllable or rhyme, where meaning is carried by cadence, image, and pause. The Architecture of a Return (haibun) We left work and drove through the night, dawn catching us just as…
It's Still Life 