Category: prose
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Vivaldi’s Winter — L’Inverno (1st Movement) #6
6 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #5
5 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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2402: Brigid’s Diary – A Six
Part 3, Lyon, December 1834 Cathédrale Saint-Jean-Baptiste de Lyon The Diligence carriage delivered us to Lyon in pieces, every rut a verdict, every mile a lesson in endurance. But we had arrived, met with December’s Festival of Lights, the Rhône’s river-stink, and brightness laid over hunger like Lyon’s silk over a bruise. Felreil and I…
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Vivaldi’s Winter — L’Inverno (1st Movement) #4
4 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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2102: Journal of Thoughts
Gardening Tips for Late Winter The shovel was his wife’s. Silver-gilt handle, worn smooth by her grip. He’d kept it after she left, hung it on a hook in the shed where the light never reached. He started small. Digging in the garden’s far corner, where the roses failed and the soil gave easily. He…
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Vivaldi’s Winter — L’Inverno (1st Movement) #3
3 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #2
2 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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Vivaldi’s Winter — L’Inverno (1st Movement) #1
1 Vivaldi’s Winter — L’Inverno (1st Movement) Prologue for the Deaf Listener: This project (multi-part) is written with the deaf reader in mind. It translates orchestral movement into embodied language. These words are the sound of cold becoming a lash. Bring on the wind with teeth of glass, biting bare branches into prayers of splinter.…
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1702: Ash and Interleaf
Part 2: Of Ash and Interleaf — from Brigid’s Diary: Paris, 17 February 1833 The pages between here and the turn of the Seine have been removed, fed to the fire, their spines cracking like small bones. Felreil says Paris is a danger made of touchpaper and of men who read silence as a lip-wet…
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1302: MicroDosing 100 µg
The Bone Whisperer The bones had been whispering for centuries. Not words …just a low, subterranean hum that vibrated through the soles of anyone who lingered too long in the ossuary chapel. The priest blessed. The villagers fled. The crows remained. The bishop declared it miracle or curse, depending on the collection plate. Then the…
It's Still Life 